michele

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I am Legend

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i’d suggest not reading this if you want to see the movie and don’t want anything spoiled for your viewing pleasure.

it’s a sad day when you go into a movie expecting will smith to be his normal sci-fi film snarky self and instead get a slightly crazy, wholly unfunny smith. in the grand tradition that started with independence day and came through in wild wild west, men in black, and i, robot, i EXPECT will smith to be sarcastic while kicking ass and taking alien/robot names. i do NOT expect him to pant in terror, talk to mannequins like a crazy person, and kill his dog. the will smith i know would have found a cure before snapping the dog’s neck. this is just depressing.

also depressing was the inclusion of emma thompson as the originator of the disease. i do not like her to be the destruction of the human race.

the infected people were pretty fucking scary. they did the whole open-the-mouth-downwards-really-wide-roar thing that the mummy in the mummy did (a movie which i, admittedly, love because there’s an ass-kicking, name-taking, sarcasm-making male lead). annoyingly smith did not seem to catalog on his stupid streaming video camera that the infected HAD redeveloped human-like cognitive behavior in their creation of an alpha-male general character who set up booby traps and attacked smith’s dog with slavering infected dogs. but luckily god and butterflies come to him and he found the cure at the end in time to give it to the completely unrealistic duo that just saved him from a suicide run. you know what i enjoyed? how the infected found his house and he blew up washington square.

basically this movie started with chasing deer through the middle of new york’s devastation and i had to cover my eyes for THAT at the thunks the deer made as they ran into things. it didn’t get any better from there. stupid hank at the video store, stupid will smith crying to a mannequin, stupid flashbacks, stupid god/butterfly theme, stupid depressing/terrifying movie. and the ending, oh god(butterfly), seriously? voice over? VOICE OVER? not ok.

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kittens

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Categories: General

Indecision is a quality that I despise. So it’s with no small amount of grief that I’m trapped in a battle with it right now. I’m like a teeter-totter swayed on one side by cute kitten and on the other by my undefined future. The question before my hated indecisiveness is whether or not to adopt one of my foster kittens.

These are goddamn cute kittens, let me tell you. Also, I had to bottle-feed them. Which, since they’re kittens you would not think could create such a mother-child bond; but this is a fucking bond right here.

A couple weeks ago my mom cut a comic out of the newspaper in which a woman was turning down a man’s advances. “It’s not you,” comic woman said, “It’s me. I’ve got to focus on my cats right now.”

THAT’S ME.

I know how pitiable that statement is. I can still recognize my horrifying descent into aged spinster cat lady. But maybe it’s time to just give in and accept this inevitable fate. Like an old person and grey hair, you know? Accept defeat gracefully.

This platitude would have more power if I even knew what color my hair is under the dye. Sadly, this is a revelation I have concealed from myself for years.

Addendum: I wrote the above yesterday, but today I’m not getting another kitten, so don’t panic. My indecisive teeter-totter is over now and the kittens are probably being adopted by lovely people in Walnut Creek as I write this. I am jealous of those people, but hopefully I’ll get over it in time.

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persepolis

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and speaking of cool ass films, did you know that they made persepolis by marjane satrapi into a movie? hell yeah! who wants to see that? it’s playing in SF on december 12 and should be pretty good. the graphic novels by satrapi are good, after all. it is $25 though. but this includes a reception and talk by satrapi and the director.

persepolis.jpg

Marjane Satrapi, with codirector Vincent Paronnaud, brings her acclaimed memoirs about an irrepressible young girl growing up in Iran and Europe to the big screen with a style that combines bold visual design with amusing and heart-rending storytelling. Thematically rich, the film covers the changing political climate in Iran during the ‘70s and ‘80s, the difficulties and challenges of boarding school and expatriate life, as well as the admirable efforts of the Satrapi family to maintain a warm and open home life amidst an increasingly hostile external environment. Featuring the vocal talents of Chiara Mastroianni and her real-life mother Catherine Deneuve as Marjane and her mother, this Cannes prizewinner (and submission

for Best Foreign Language Film) is a sensational film for adults and discerning younger audiences.

The screening will be preceded by an onstage interview with co-directors Marjane Satrapi and Vincent Paronnaud. Following the screening, join Film Society staff in the Bistro to discuss the film.

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…more babies

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Categories: General

well, i can see that this recent trend in my blog is going to wear old after a while, but the first flush of babydom is still pretty exciting. plus ellie, tyler, and lucas came over today and tyler bottle fed kittens.

dudes, *I* changed that diaper. me! a diaper changing auntie!

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auntie m

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Categories: General

i’m an aunt! i’m an aunt! this photo’s all i’ve got so far and it is crap. but i’ll get more, oh yes.

evan.jpg

so his name is evan

born november 2nd around 1:30am

9 pounds 1 ounce

21 inches long

and i BELIEVE friday’s child is loving and giving.

p.s. this is me feeding a baby kitten. i promise not to take any pictures of evan breast-feeding.

babies 002.JPG

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komaneko: SF anime festival

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Categories: General

wanna see, wanna see!

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Sunday 11.11.07

SF INTL ANIMATION FESTIVAL

1:00 PM

Dir. Tsuneo Goda, Japan 2006, 60 min

Intertitles in Japanese with English translation

Komaneko is a burgeoning animator. She creates puppets and sets, then films them stop-motion style. She has a series of adventures with her friends Radi-Bo, a ghost and a Bigfoot-like creature whom she tries to document with her 8mm camera. Featuring a sweet soundtrack with little dialogue, except a few strategically placed “meow, meow, meows,” Komaneko: The Curious Cat depicts new friendships, creativity and the conflicting emotions that accompany a childhood filled with wonder. Director Tsuneo Goda has created Japan’s first major stop-motion animated film. It is a delicate, beautiful and undeniably cute work enlivened through brilliant technique. This screening will delight children of all ages. (Recommended for ages four and up)

wanna see?

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